Jenine

Adam

 

 

Assignments:

• Scanner as Canvas ....................................................................................................................................
• Portrait . . . . . . . . . . . . . .............. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
• Sons and Daughters of Art History .........................................................................................
• Panorama . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
• El ultimo Proyecto ........................................................................................................

 

 

 

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"I saw a beggar leaning on his wooden crutch,
He said to me, you must not ask for so much.
And a pretty woman leaning in her darkened door,
She cried to me, hey, why not ask for more? "

Bird on The Wire - by Leonard Cohen, covered by Johnny Cash, the man in black